Olympic lifting · exercise analysis

Squat snatch analysis: locked out overhead, received below parallel, measured separately.

The squat snatch asks for full overhead lockout and full squat depth in the same instant, and the rubric scores each on its own terms.

Pose skeleton overlaid on an athlete mid-repetition, with joint positions marked at the hips, knees, shoulders and elbows
Every threshold on this page is read from joint positions like these, never from the barbell.

What a camera can see in a squat snatch

A squat snatch travels from the floor to overhead in one pull and is received in a full overhead squat. The rubric measures the elbow angle in the finish frame and the knee angle at the deepest frame, so a rep that reaches depth with bent arms and one that locks out but stays high score differently rather than averaging into the same number. Side and oblique views support both. The identity gate also checks how far the wrists travelled: a small travel means the bar started overhead, which is an overhead squat.

How ScoreRep scores a squat snatch

The rubric declares 4 scored criteria. The strongest single camera angle is the left side view. Every criterion below is available from that angle.

The score is the points earned divided by the points the recorded angle could support, so a clip filmed from a limited angle is never quietly marked down for what the camera could not see. At least 60% of the applicable weight has to be measured before a result is ranked at all.

Scoring criteria for a squat snatch, version 2 of the rubric.
CriterionPointsMeasured from the athlete’s poseFull marks when
Overhead lockout30elbow angle in the finish position165° or more
Catch depth25knee angle at the bottom of the rep95° or less
Hip extension25largest hip angle in the rep172° or more
Explosiveness10time taken by the lifting phase0.8s or less

Criteria that depend on the camera angle

These criteria are excluded, not estimated, when the recorded angle cannot support them. That is why the same set filmed twice from different positions can produce two valid scores out of two different totals.

  • Catch depth — needs a left side, right side, left oblique and right oblique view.
  • Hip extension — needs a left side, right side, left oblique and right oblique view.

Does this squat snatch rep count?

ScoreRep answers that in two separate steps. First, the clip has to read as a squat snatch at all: every check in the table below has to pass, and a reading the camera could not take counts as a fail, never as a pass. A clip that fails is returned unranked with the reason attached, rather than scored low against the wrong rubric, and no template can override a failed check.

Second, the scoring criteria award points. Falling short of a full-marks threshold costs points, not the rep. Every number here is read from version 2 of the squat snatch rubric, the same file the scoring engine runs.

Movement checks for a squat snatch. All of them have to pass for the clip to be scored as one.
ReadingHas to beOtherwise rejected because
Vertical travel of the hips across the rep0.1 or moreneither the pull nor the receiving squat is clear
Smallest knee angle in the rep120° or lessthe catch is not deep enough, which reads as a power snatch rather than a squat snatch
Whether the hands finish above the shouldersyesthe bar is not overhead, so this does not read as a snatch
Elbow angle in the starting position130° or morethe elbows are racked at the start, which reads as a thruster rather than a snatch
Elbow angle in the finish position155° or morethe elbows are not locked out overhead
Vertical travel of the wrists across the rep0.2 or morethe bar did not travel from the floor to overhead, which reads as an overhead squat rather than a squat snatch

What the recording has to contain

Eligibility decides whether a result can enter a leaderboard. Failing it does not block the feedback — the clip is still scored and returned, but marked unranked with the reason attached, so a bad camera position never silently becomes a bad score.

  • A pose has to be detected in at least 55% of the frames.
  • The camera angle has to be one of: left side, right side, left oblique and right oblique.
  • At least 1 complete repetition has to be detected.

What is deliberately not scored

Identity, repetition counting, eligibility and the score are derived only from the athlete’s pose. Measurements that come from tracking an external object — the path of a barbell, for example — are drawn on the review overlay but are deliberately outside the scoring contract, so they never affect the number.

For this movement that applies to Bar path. It is listed in the rubric so the exclusion is visible rather than silent, and it earns no points.

Reading the result

This is a lift where the score and the outcome can disagree honestly. A rep can be caught, stood up and counted while scoring poorly on lockout, because the arms softened on the way down. That is worth knowing. Read the lockout criterion as a leading indicator across a session: it usually falls a set or two before reps start being missed outright.

A technique score is educational feedback about visible movement. It cannot tell you whether a load is safe for your joints, whether pain means something, or whether a programme suits you. Those judgements need a coach or clinician who knows your history.

Questions

What athletes usually ask

Does the bar have to start on the floor?

Yes for this rubric. The identity gate requires substantial vertical wrist travel; without it the clip is scored as an overhead squat.

Is depth measured at the catch or at the lowest point?

At the frame with the smallest knee angle, which in a squat snatch is the bottom of the receiving squat.

What if I press the bar out at the bottom?

The lockout criterion reads the finish frame, so a press-out that ends locked will still score, but the identity gate requires the elbows to be extended by then.

Turn the next set into evidence you can review.

Analyse a squat snatch

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